@thesuntsar said in How to: make your poses less repetitive:
I've made an effort since then to change up how I write things, I don't exactly want to keep writing like a 15 year old. My question today is, how do you folks keep your writing fresh/dynamic/evolving? Any resources that you like to check out or just a conscious effort to switch up stuff?
It has to be a conscious effort.
When I came back to the hobby a few years ago, I started to interject acting directions into my poses. For example:
Ripley stares at Claudio. "That's nice. I can see where you would assume that; however, that's not the case, and that was never the case." She looks away. "And I'm sorry that you thought that, but that does not change how I feel or what I want."
That became something like:
Ripley looks to Claudio. "That's nice." Beat. "I can see where you would assume that." Another beat. "However, that's not the case, and that was never the case." She turns from him; looks away. "And I'm sorry that you thought that." Break. "But that does not change how I feel or what I want."
Now, my pose might look something like this:
There's an awkward silence before Ripley finally looks at Claudio
"That's nice." Beat. "I can see where you would assume that." Another beat, as if to signal a change in mood. "However, that's not the case, and that was never the case." There's a note of finality in the end.
She looks away then.
"And I'm sorry that you thought that." Break. "But that does not change how I feel or what I want."
And then Ripley says no more.
I'm not sure how I feel about my newer style, but it has challenged me to write that way. Normally, I write like I'm trying to punch a hole in your eyes with words.