@HelloProject said in Comic book diversity:
My official black person statement re: diversity in comics, is basically this entire Cracked article:
http://www.cracked.com/blog/one-quote-that-explains-why-comics-suck-at-diversity/
In addition to +1'ing this, I would also add that the form of narrative media, especially spec-fic, in the past couple of decades has been steadily shifting towards 1) Big Dumb Epics as the default and almost obligatory plot structure (everything has to be leading to some big central plot resolution that explains and resolves everything and saves the world from being blowed up etc..) and 2) Surprising the audience as the paramount goal of the writers. Usually a far more important goal than actually coherent and consistent world or character building.
There are problems with these trends in general, but they're especially a problem in the American comic book industry, aka, as it relates to super-heroes, because these are not the actual strengths of super-hero stories. The day to day saving-some-nice-old-lady-from-muggings stuff is actually what defines a superhero and sets them apart from any other generic speculative-fiction hero. I mean, I guess the costumes and aliases are part of it, but they don't work by themselves, they only solidify part of the tradition of superhero as crime-fighter; in a slightly more advanced school maybe evil fighter, in a broader sense, like you can have a superhero tackle political corruption, corporate predation etc..
But the form of the super-hero story is such that they are and should be primarily concerned with their job and not a single easily definable, well-demarcated and doable task. Superman's job isn't over when he defeats Lex Luthor, even assuming Luthor won't escape. Batman's job isn't over when he defeated the Joker, even if the Joker is dead. A superhero's job is more nebulous- to fix society, according to whatever meaning that has to that particular superhero. That especially doesn't lend itself well to the sort of condensation that Big Dumb Epic Plots do of making a single Big Bad whose defeat will restore goodness and order etc.. This is why it is dumb to gripe that Batman should just kill the Joker. Batman's enemy isn't the Joker, it's crime, it's violence, it's the powerful preying on the weak. Yeah, locking up the Joker seems futile when you know he'll just escape again, but the entire crusade is largely futile anyway. It can't actually be won or completed, even by heroes that do kill like the Punisher or Wolverine or whoever. In both cases you end up having to ask questions about whether the crusade itself isn't actually causing more problems than not, whether the "hero" isn't becoming a social problem of the same order as the things they fight against. You can't do that with some big evil alien overlord that's going to wipe out humanity or whatever, obviously that outcome is a whole lot worse than just trying to stop it.
I guess the surprise thing is less structural maybe, just that it's become such a pathetic and self-satirizing go-to at this point, starting with the "Death of Superman" and reaching its apex with the death-of-Captain-America-no-really-you-guys-we-mean-it-this-time-for-reals