The fact is, while I enjoyed Lovecraft stories in high school, he's not an author who's ever held much attachment to me. Same with Orson Scott Card. I liked Ender's Game when I read it as juvenile fiction but it's not part of my personal canon.
I own "Thriller" on CD, it was one of the first albums I owned, and I think it's a work of great 20th century art. It was formative to me in a lot of ways and those are still some awesome tracks that there's no way to divorce from what pop music is today.
Still think Michael Jackson is a child molester who was hugely enabled and protected by the music industry throughout this life.
Not sure what to do with this, ultimately. I had experiences of Michael Jackson music that really are imprinted on my psyche in that way music gets with people when they hear it when they're young, particularly high school-age. I can't divorce it from this and it's probably the "art from artist" thing I most struggle with.
I guess my point is, there are a lot of artists it's very easy for me to "cancel" on a personal level. I'll never give Woody Allen money again but I only kinda liked "Midnight in Paris" and never got his appeal otherwise, so whatever. I'll never pay to see a Michael Fassbender of Sean Penn movie again but that's no great loss to me, I don't view them as culturally necessary and they don't speak to me in any particular way.
I have a lot of sympathy for the peopel to whom Lovecraft was formative and who're trying to reconcile his being a racist asshole, I guess is my point, because I'm stil trying to work out what I feel OK consuming and having genuine affection for and what I don't anymore. I'm still trying to separate what I think of Michael Jackson as a human who I think did awful things to other humans versus what I think of what he created and will probably continue trying for awhile. This does not feel easy with a thing that has large cultural and personal impact.