@Auspice
You know, the Joss Whedon thing annoys me because I don't think cheating on your wife makes you a misogynist. It makes you a piece of shit for sure, but a misogynist? Eh. There are women who cheat on their husbands, are they misandrists? I think they're just selfish.
I have not cancelled Joss Whedon and I will not cancel Joss Whedon. Sorry not sorry. I will, however, hold him accountable for his embarrassingly bad Wonder Woman script. I do think the quality of his work has deteriorated somewhat over time. I'm in the minority but I liked his early original work, and though I think he's a great script doctor, I'm significantly less interested in his adaptations and comic book movies. He's still one of my favourite creators of all time. Buffy was brilliant.
I wish Buffy had more people of colour and showcased some women of different shapes and sizes β he seems to only like casting one kind of woman and that's "thin enough to be anorexic". I get that it was the 90s and heroin chic was all the rage, but eh. Even back then as someone who was never thin enough to be anorexic (yet sometimes, problematically, wanted to be), it bugged me.
These criticisms, at least for me, however, don't overwhelm the good of the whole. People laugh when I tell them that Buffy was the show that turned me into a feminist, but it's completely, 100% true. I hadn't even heard of the word in any positive light until one day I watched an interview where Whedon called himself that, which I thought was weird, because why would a guy want to call himself feminine? As someone who was raised only on Disney princess prior to that, falling in love with this show and having this hero on my screen completely changed who I am as a person and who I believed I could be or look up to. Oh. And I was incredibly queerphobic at the time. It helped seeing queer romance on screen while grappling with internalised disgust long before I was ready to myself come out. There really wasn't a lot of representation at the time.
Buffy's getting a reboot now with a woman of colour at the helm and Joss Whedon's stamp of approval. I think this is a welcome change, and I wouldn't trust it unless everyone else who worked on the original was on board. It'll be nice to see the show become more intersectional for the next generation of confused teenagers grappling with their identity. There's power in that.
So, while I'm not cancelling Joss Whedon, I'm also OK with moving on from works of his that shaped me in the late-90s/early-00s, because people are supposed to grow and it'd be sort of weird to stay stagnant like that. I'm also OK with acknowledging that he's fallible, human, and his works were never perfect. Hopefully, he's also grown, but I don't know his life.