Jun 16, 2020, 9:10 PM

@surreality said in Diversity Representation in MU*ing:

It's the same for Russian characters -- except in that case, I haven't even seen the one that isn't somehow involved in organized crime.

It's worse than MUSHing, really. Think about when you saw one of these anywhere in media. This is what I was getting at with the really blatant slavic (and really any non-Western European ethnicity) racism thing earlier; you only ever see Russian mobsters (or even worse, Albanian mobsters, who are real bad dudes unlike the friendly wise guy Italian mobsters), spies, and maybe the occasional warlord or arms dealer. Naturally you never see these roles played by the actual ethnicities, either (holy shit this Black Widow movie is going to be an accent trainwreck).

...that brings me to another point. I really don't have a ton of empathy for people who 'don't see it'. I need to work on myself on that, but it aggressively frustrates me. Again: clueless high school students in the 80s could see examples of sexist, racist, homophobic, anti-Semitic, and other bigoted gross all over the place without any trouble. Less enlightened time, even!

But these things are not fucking subtle.

I genuinely do not understand how people 'don't see them'.

I think it's less a matter of not seeing, as it is to seeing what is presently culturally normalized, encouraged, and subconsciously desired. Media representations are a lot less accidental than we tend to treat them.

Certainly the horrific stuff you see in Sixteen Candles isn't the product of someone just being confused and thinking Asians are really like that maybe? It's propaganda meant to satisfy audience anxieties and prejudices (in this case, reflective of American fear first of Japan's economic rise and then the subsequent 'Tiger Economies' in the 70s, 80s and 90s) by mocking those cultures. And this is a broader trend. While we identify 'outsiders' by appearance, how we treat them is much more socially contextual. Asians are 'good' except when we think they're up to something (WWII, or the period above). Muslims are weird not-Christians, but we don't care that much except when they're obviously all terrorists (80s after Iran Hostage crisis, 2000s, etc). After 9/11, we get 24, a vastly popular show where we cheer a dude torturing people (who went from 90s holdover Balkan-types as the first season was produced pre-9/11, to typical nuke-wielding Muslims, to Mexican cartel types, back to Muslims... eventually getting to Chinese agents as we culturally decided who our next enemy was; see a pattern here?).

Uh. This has gotten long and convoluted, but yeah. The worse it is, the less likely it is to be accidental.