@marsmrsmars said in The Savage Skies - Discussion Thread:
@Groth said in The Savage Skies - Discussion Thread:
I'm not seeing people express the idea that Hirohito wasn't actually all that bad as much as I see the expression of the idea that the characters wouldn't be aware that Hirohito was actually that bad.
Really?
@juneko said in The Savage Skies - Discussion Thread:
don't see why there is any hand-wringing about ex-IJA characters.
Second of all: people in this thread are weirdly veering toward outright revisionism whenever they question whether or not Hirohito had any involvement in his country's crimes.
I can speak only for myself, but I am certainly not wringing hands or attempting to defend Hirohito or the IJA's war crimes in any fashion. I don't even play on the game, so I have no vested interest here one way or the other.
My point earlier was about a general cultural perspective. Someone said that learning about IJA war crimes is "elementary school history" but it isn't - at least not universally in America. I'd venture to say that the average American knows almost nothing about the Japanese war beyond the bombing of Pearl Harbor. The Holocaust is discussed extensively in our schools. Nanjing is maybe a few sentences in a chapter somewhere.
Again, I'm not saying this is right or fair - just that it's reality.
Then there's the Hollywood portrayal. Here's an interesting commentary on the recent movie Midway:
As a historian, the most interesting thing about the recent Second World War blockbuster Midway is director Roland Emmerich’s portrayal of the Japanese enemy in a largely sympathetic light. Nowhere is this more apparent than the parting dedication onscreen: “This film is dedicated to the Americans and Japanese who fought at Midway. The sea remembers its own.” ... The Japanese are depicted as courageous, professional sailors fulfilling their patriotic duty, in some cases nobly sacrificing themselves for a cause that they believed was just and honourable.
This is a general trend in Hollywood, no more apparent than in the movie Letters from Iwo Jima, which presented the IJA perspective in a mostly favorable light. It won widespread critical acclaim, including a nomination for Best Picture.
Knowing these cultural factors at play, I can completely understand how somebody might want to play a "noble Japanese soldier" PC on a MUSH with no ill will intended.
Knowing a fair bit about the Pacific theater myself as an armchair historian, I can also completely understand why folks would be upset by this. The author of that Midway article mentioned as much as well.
Clearly, Emmerich’s own familial experiences and position as an ‘outsider’ helped engender this perspective. However, this characterisation is sure to test the limits of empathy for many audiences, who will view the entire exercise as somehow seeking to gloss over Japan’s reprehensible record of wartime atrocities.