@Ifrit said in Real World Peeves, Disgruntlement, and Irks.:
This is actually one of my biggest problems with this idea of 'cancel culture'. Really, as far as I can tell, it's just capitalism in operation. If I don't like an author, I don't buy their books. If enough people do that, they become unprofitable
(Well, that's technically market economics, which isn't the same thing as capitalism, but that's a whole different can of worms...)
So there is a tendency I've seen in some online spaces, where the ability of the public to reach quasi-public figures over social media or other online spaces can be an issue. Especially when claims can be manufactured or faked easily (it is really simple to make a fake tweet), and when the outrage can spread from someone who did a thing, to people in some way affiliated with someone who did a thing, to people associated with people affiliated with someone who did a thing.
I do see a difference between "I am not going to buy the thing," and from there "I am going to not buy the thing and encourage people to also not buy the thing," with people brigading someone's mentions because they're Kevin Bacon-associated with someone who did a thing or because they heard an unsourced claim that their target did something wrong. This is the sort of "cancel culture" I can see as a problem, and not one I know how to work at fixing.
I don't see "cancel culture" as related to the Star Trek thing, though. Big properties tend to avoid bringing in plot elements that seem to hit too close to a sensitive spot.
In 2001, for instance, the Twin Towers were edited out of everything from Raimi's first Spider-Man film to the Sex & the City intro, the entire finale of Lilo & Stitch was reanimated to swap out the 747 for a space alien ship, and the Simpsons New York episode was pulled from reruns for a decade. The whole subgenre of Emmerich-style ID4-wannabe "buildings go boom" action films was retired until '05 War of the Worlds (where the presentation was, ah, different) and didn't really make a comeback until 2009 with 2012.
Some sensitivity to what audiences will, en masse, be comfortable with and what constitutes "too soon" us as you say, just business sense.