@Groth said in Good TV:
@Ghost said in Good TV:
The single wierdest casting choice to me is Fringilla because unlike a lot of other characters she has a lot of family and is supposed to hail from what is basically fantasy france. Does that mean all of Toussaint will now be sub-saharan African or what?
I don't see too much trouble with her, tbh? Fringila is almost a non-character in prior media. She features in a chapter or two of one book (in which all she does is sleep with Geralt), and a brief appearance during one quest in W3 (in which she mostly is part of some background dialogue joking about how nearly everyone present has slept with Geralt), and in ensemble with a few other sorceresses a couple more times beyond that.
TV Fringila is essentially a new character, so its hard to say there's heavy expectations of what she should be like. I like that they've made her family prominent, since Artorius was another interesting but highly obscure character but putting him on the council and highlighting the obvious nepotism was a good story beat (and arguably, the casting makes it easier for the audience to read that when the names otherwise might go over their heads - ah, the two black mages are related!) I'm not sure having one Toussaint char means the entire Duchy has to be black? It might affect Anna Henrietta's casting (since they're also relatives at some distance) but... OK?
@lordbelh said in Good TV:
@Jaded I've only ever heard good things about Anya Charlotra's portrayal of Yennefer. Personally I think she's the best part of the whole show.
@bored said in Good TV:
there's also the Polish fandom, which in general wasn't positive toward any race bending
This I've caught. While part of that is surely a touch of old fashioned racism; the Eastern Block isn't exactly short on it, it also seems a bit more complex. Something along the lines of not wanting to get caught up in the American race and diversity politics, when in Europe its Poles who have gotten shit on for centuries, and this being their time to shine and be seen. As opposed to being portrayed in ways to suit American sensibilities. Anyone following Brexit'll have caught on the general 'shitty polaks coming to steal our jobs' sentiment simmering, and that's common enough across the board. From the Polish perspective, there's little conception of white privilege, or guilt, having had no slaves, no colonies, no empire, mostly just being victim to them. The places they're likely to go, they're the second class citizens from the second class culture (though its changing, at least where I live - white Slavs doesn't quite get the usual suspects' blood boiling like it use to, not when there's Syrians and Afghans - anything muslim really - and Africans to panic about). Its one of the most homogeneous countries in Europe, too, with the vast majority of migrants being from Ukraine (especially the Ukraine that used to be Poland) or other Slavic countries. So when its their fantasy culture on display, they're like to expect it to be pretty darn white.
Is that naive? Sure. Is there a bit of racism there? Yeah. Is adding a bit of diversity a sign of American Cultural Imperialism, or Cultural Appropriation? Heh. Though reading this one guy going on a bout it made me chuckle, and I've been searching for that article (or blog post, or whatever), to link, but to no avail. But there are some complex currents working through the responses that I've found interesting to read and ponder a bit on.
This is a good analysis and I have some mixed feelings, myself.
Obviously it's racist. But you hit the nail on the head about how they feel about the use of what they see as a (rare) cultural export from their country that has gained such fame being co-opted by others and then wrapped up in a political discourse that simply doesn't exist in their country. There's also a parallel issue, both for Europeans but also (moreso) for immigrant Poles - and basically for all slavs - that Western media tends toward highly caricatured, racist depictions of these groups when they bother to identify them: IE, everyone from anywhere east of Germany is either a Niko Bellic-esque tracksuit wearing vodka-swilling mobster, or a low-class, smelly, Ruritanian (look up that word) dullard. So I can understand that it's divisive. Of course the counter-counter argument is that the Witcher is spreading a broader view of some of their cultural elements and that having one or two black people won't instantly ruin that.
On the plus side, thanks to the show, the books are now NYT bestsellers and keep selling out physical copies.