@rinel said in Good or New Movies Review:
@ganymede said in Good or New Movies Review:
@rinel said in Good or New Movies Review:
What I did not like was the feeling of "African American culture bad, fictional Wakandan culture good" that I got.
I can't argue with a feeling, but I think you may have missed what the writers were getting at.
What I got was that Wakandans find African American culture "bad" because it was born out of a history of oppression. What I saw T'Challa wrestling with was Wakanda's part in that history. What I understood was that T'Challa discovered and concluded that Wakanda was as responsible for that oppression as the oppressors because they let it happen when they could have intervened and ended it.
I understand that in the abstract and agree with it. But the viewers' interactions with Black Americans are limited to Killmonger, his girlfriend (who gets maybe two lines?), and an assortment of children. Killmonger seems to go heavy on the AAVE dialect when he is engaging in "thuggish" behavior. At best, the movie is putting forward some sort of "Wakandan man's burden," where a fictional country must elevate American blacks through advanced technology and intervention. I don't think any of this was the intended message of the film. It just seemed like it was sort of implied in the way that the director emphasized certain things.
Going outside the text to things the director's said...
He's commented, for one, that between the hero and the villain of Black Panther, a royal warrior from an Afro-futurist utopia vs a kid from the Oakland housing projects, one of the two is slightly easier for him to relate to than the other.
I think that the central issue in the film, the conflict about intervention... so maybe this is going further afield, but. The notion of Wakanda is a hyper-advanced nation in Africa that avoided colonization by Europeans for the entirety of their history. To the director, on the one hand, this is an awesome escapist fantasy. On the other, when you start to worldbuild from the concept, the central question comes around to "well where the hell were they, what were they doing, why didn't they stop it."
So instead of dodging the issue, he made that the central conflict of the film, both in T'challa's personal sense and as the driving motive for the villain.