@thenomain said in Changeling the Lost: 2nd Edition:
Here's another example: In Buffy (and later Angel), Angel is a mean-ass vampire who regains his soul and becomes all mopey and remorseful. Spike is a mean-ass vampire who regains his soul and then shrugs about it gets on with life.
Gonna have to agree with @Derp and @ixokai here, bruv.
On top of that, a few things:
One. Angel getting his soul back was specifically a curse, while Spike getting his soul back was specifically a quest.
These are two very different things in fiction, especially fantasy and urban fantasy fiction, and the different ways in which they processed their individual "ensoulment" make sense to me.
Two. Related to the curse/quest bit, if Angel experienced a moment of true happiness, he reverted to Angelus. If Spike experienced a moment of true happiness, he was just really happy. It's easier to process your past evil deeds, I would imagine, if you are allowed to feel good about your future, rather than having a Sword of Damocles that informs you if you ever feel honestly happy, you're gonna be a monster again, whether you like it or not. That would make anyone a broody fucking emo pain.
Three. By the time Spike shows up in Angel, Angel is also quite different, less emo, more chipper, willing to give at least a life of mediocre contentment a try with his werewolf girlfriend (Nina).
In short, you chose the wrong analogy because some of us are super into Buffy and Angel and how dare you, sir.