@Auspice
Anyhow, back to what I was getting at, here's a review from some shit at eFilmCritic. Go ahead and read it.
Have you read it?
Remember all the shit we give people for purple prose? About how they seem more in love with what they say and how they say it than any of the substance they are purportedly commenting on? That is this. Being ignorant of the context of the musical and then commenting on it is sort of like criticizing the verbiage of a Shakespeare play-to-film without understanding that it was written in iambic pentameter. And this sort of opinion piece born from ignorance is the same shit that so-called politicos thrive on, or use as a basis for their beliefs when trolling on internet forums.
I get it, I get it. "A film should stand well as written and not require the audience to know the background to be enjoyed." That is all trite when it comes to adapting something from one medium of expression to another, which is the case here. And as much as I want to gloss over the criticism with good humor and my usual "I don't give a fuck" this sort of shit bothers me more these days whilst the United States is mired in some stupid impeachment scandal.
Get educated before you shoot off at the mouth, you ignorant fucks. People's livelihoods are affected by your ignorant opinions.
"In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new."